Bill Eisenring’s REVIEW of Cross Purposes and The Expert by Frank Cossa, directed by Ken Coughlin at The American Theater of Actors
Bill Eisenring’s REVIEW of the Reading of We Knew Beethoven written and directed by W. Gregory Nissen at the Producers’ Club
FROM STAGE READING TO OFF-BROADWAY RUN: HIGHLY ANTICIPATED DRAMA “BRIAR PATCH” ANNOUNCED FOR BOTH THE NEXT STEP AND MIDTOWN FESTS
Dennis Leroy Kangalee’s Explosive Drama ‘The Harm’ Headlines the Historic Return of the Midtown International Theatre Festival
Shaking Off the Gen X Eye-Roll: Veteran Playwright Scott Brooks Confronts the AI Age with “Whatever.” at MITF 2026
Bill Eisenring’s REVIEW of A Desperate Game written by John Maddison Morton directed by John DeBenedetto:
Unmasking the Mind: How Director John Emro Reimagines Ibsen’s ‘Hedda Gabler’ for a Modern Long Island Audience
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