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Bill Eisenring speaks on the next generation of the arts.

August 14, 2026

Bill Eisenring’s REVIEW of PANDIMA: Act of Gods by Jason S. Abrams, Directed by Jonathan McLawhorn at The Midtown International Theater Festival:

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August 14, 2026

Bill Eisenring’s REVIEW of Samovar four plays inspired by Anton Chekov short stories, including The Body and the Fire by Nick Desimone, The Lottery Ticket by Gretchen O’Halloran, Anna and Dinitri by Michael Donohue, and Neighbors by Johnathan Ward, all directed by Roger Hendricks Simon:

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August 14, 2026

Bill Eisenring’s REVIEW of FUNCTIONS Written and performed by Anton Spivack, Directed by Marjorie Lipari at the Midtown International Theater Festival:

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August 14, 2026

Bill Eisenring’s REVIEW of The Anxiety of Laughing by Andrew Justvig, directed by George D. Nelson at the Midtown International Theater Festival:

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August 14, 2026August 14, 2026

Bill Eisenring’s REVIEW of The Rosary Through Which We Talk to the God We (Don’t) Share at the ManiFestival:

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August 14, 2026

Bill Eisenring’s REVIEW of the abridged Concert Reading of Final Day book, music, and lyrics by Danny Curtis, directed by Lou Scarpatti at the Midtown International Theater Festival:

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August 14, 2026

Bill Eisenring’s Review of Fingers Crossed written and performed by Stacy Cancelarich, directed by Michael Gardiner at the ManiFestival:

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August 14, 2026

Bill Eisenring’s REVIEW of Crabs in a Barrel by Reginald T. Jackson directed by Kubbi at the Midtown International Theater Festival:

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August 13, 2026

Bill Eisenring’s REVIEW of The Silly William Gambit written and performed by Matt Bader, directed by Justin Jager at The ManiFestival:

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