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Bill Eisenring speaks on the next generation of the arts.

August 14, 2026

Bill Eisenring’s Review of Fingers Crossed written and performed by Stacy Cancelarich, directed by Michael Gardiner at the ManiFestival:

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August 14, 2026

Bill Eisenring’s REVIEW of Crabs in a Barrel by Reginald T. Jackson directed by Kubbi at the Midtown International Theater Festival:

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August 13, 2026

Bill Eisenring’s REVIEW of The Silly William Gambit written and performed by Matt Bader, directed by Justin Jager at The ManiFestival:

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August 13, 2026

Bill Eisenring’s REVIEW of Occupation: Housewife written by Abby Tilly, directed by Jay Gendron at ManiFestival:

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August 13, 2026August 13, 2026

Bill Eisenring’s REVIEW of Selkie Woman written by Zoe Stanton-Savitz, directed by Delia Dumont at the ManiFestistival:

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August 13, 2026August 13, 2026

Bill Eisenring’s REVIEW of The March Hare Written by Amanda DeLalla and directed by Rosie Corr at The ManiFestival:

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August 13, 2026

Bill Eisenring’s REVIEW of A Humorless Exploration of Humanity by Ryan Sickles, directed by Emma Lyndell at The ManiFestival:

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August 13, 2026August 13, 2026

Bill Eisenring’s REVIEW of My Ghosts are in Me with book by Erica Laros and music and lyrics by David Laros, directed by Rebecca Frazier at the ManiFestival

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August 4, 2026

Bill Eisenring’s REVIEW of How Not to Fund a Honeymoon by Stephanie Greenwood, directed by Katie Devin Orenstein at the ManiFestival

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