Bill Eisenring’s REVIEW of Hamlet: The Clown Prince by Willliam Shakespeare, adapted by Joshuah Patriarco at the ATA
Bill Eisenring’s REVIEW of GIRL BOY GIRL BOY GIRL by Bear Kosik, directed by Erika Lupo at Under St. Marks
Bill Eisenring’s REVIEW of Ralph Waldo Emerson: The Sage of Concord by Philip Paradis at American Theater of Actors
Guest Writer, Ross Cooper, reviews the Florida Production of Doug DeVita’s “Goddess of the Hunt” at Lab Theater Project
Guest Writer, Kelsey Sizemore, reviewed the troops in Joshua Crone’s A Marine Walks Up to the Pearly Gates
Bill Eisenring’s REVIEW of Blood Orange, written by Abigail Duclos, directed by Vernice Miller at A.R.T.:
Bill Eisenring’s review of KING LEAR by William Shakespeare, directed by James Jennings at The American Theater of Actors
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