written by Jake Mendel

In an era often dominated by experimental forms and deconstructed narratives, playwright Bernard J. Taylor stands as a fervent advocate for the enduring power of the “well-made play.” While he humbly asserts that style isn’t his primary focus during the writing process, a deeper look reveals a deliberate and passionate commitment to bringing back a theatrical tradition he believes is ripe for revival: heightened realism, characterized by sharply honed dialogue and robust dramatic structure.

Taylor’s influences are clear and distinguished: he points to masters like Terence Rattigan and Tennessee Williams. This lineage is telling. Rattigan, known for his elegant craftsmanship and psychological depth in plays such as The Deep Blue Sea and Separate Tables, meticulously constructed narratives that built tension and explored character through subtle yet potent means. Similarly, Tennessee Williams, with his poetic language and searing emotional honesty in works like A Streetcar Named Desire and The Glass Menagerie, elevated realism by infusing it with symbolic resonance and a profound understanding of the human condition. Taylor’s ambition is to recapture this blend – a theatre that feels real, yet is meticulously crafted to maximize dramatic impact and emotional resonance.

“I think this style is long overdue for a revival,” Taylor states, underscoring his belief that audiences are ready for a return to plays where intricate plotting, clear character arcs, and impactful dialogue are paramount. In a theatrical landscape where form often trumps narrative, Taylor’s approach offers a refreshing clarity. His plays, therefore, can be expected to deliver engaging stories that unfold with a satisfying sense of inevitability, drawing audiences in through expertly paced revelations and compelling character interactions. This is not about rigid adherence to old formulas, but rather a re-engagement with the core principles that make a theatrical experience profoundly moving and intellectually stimulating.

Beyond the spoken word, Taylor’s vision extends to the musical theatre stage, where he aims for a similar sense of timelessness in his compositions. His benchmark here is none other than Les Misérables, a musical renowned for its sweeping melodies, emotional power, and enduring appeal. This choice speaks volumes about Taylor’s aspirations for his musical works: he seeks to create scores that are not merely catchy or contemporary, but possess a melodic and thematic richness that transcends fleeting trends and resonates with audiences for generations. The kind of music that carries the weight of the story, enhances the emotional journey, and remains memorable long after the curtain falls.

A prime example of Taylor’s musical ambition is his award-winning chamber musical, Zelda, Scott and Hemingway in Purgatory (formerly Road to Madness). The very title evokes a blend of historical figures and a fascinating, evocative setting, hinting at the kind of rich narrative and character exploration that is characteristic of his dramatic style. The hope for a New York revival of this work suggests not only its critical success but also Taylor’s dedication to bringing his unique blend of “well-made” storytelling and timeless music to a wider audience.

In essence, Bernard J. Taylor is carving a distinct path in contemporary theatre. He is not just a writer; he is a curator of a valuable theatrical heritage, seeking to demonstrate that the principles of the “well-made play” and the power of enduring musical composition are not relics of the past, but vital tools for creating compelling and meaningful theatrical experiences for today’s audiences. His work promises a refreshing return to dramatic craftsmanship and melodic beauty, offering a compelling alternative to the often-fragmented narratives and ephemeral trends of modern performance.