Modern Classics Theatre of Long Island’s revival of Douglas Carter Beane’s biting satire, “As Bees in Honey Drown,” promises a sharp and insightful look at the allure and deception of fame. At the heart of this exploration is the character of Evan Wyler, a young writer swept into a glittering world by the enigmatic Alexa Vere de Vere. Bringing Evan to life on the BACCA Arts Center stage is Peter Konsevitch, an actor with a palpable passion for storytelling and a history with MCTLI.

Konsevitch’s enthusiasm for his craft is immediately evident. “There’s really nothing else I’d rather be doing than sharing life on the stage,” he declares, emphasizing his gratitude for the present moment and the opportunity to connect with an audience. His recent Off-Broadway tour in “Resurrection” underscores his dedication to the art form, and his return to the Long Island theatre scene is clearly a welcome one.

This isn’t Konsevitch’s first foray with Modern Classics Theatre of Long Island. He fondly recalls his experience in “Now and Then,” describing it as a “cool lil time travel tale.” His decision to join the cast of “As Bees in Honey Drown” was significantly influenced by the director, Tarmo Kirsimäe. “Tarmo. I mean hey the play is great, but this is a guy I feel truthfully indebted to,” Konsevitch expresses, highlighting a deep respect and trust in Kirsimäe’s vision. He recounts his positive experience working with the director on “Elephant Man,” where they explored the nuances of human nature. Konsevitch sees a similar depth in “As Bees in Honey Drown,” noting the “palpably relatable people who go through the whirls and twirls of life.” This comfort and connection with both the director and the material speak to a potentially compelling portrayal of Evan.

When approaching the play’s late 20th-century setting, Konsevitch emphasizes the importance of historical context. “I think the first step is putting yourself in that time period,” he explains. His process involves considering the prevailing atmosphere and how it might have shaped his character. “What was navigating the late 20th century like for this struggling artist? Things to just think about,” he muses, indicating a thoughtful and layered approach to understanding Evan’s journey.

Stepping into the shoes of Evan Wyler has also been a personal journey for Konsevitch. Reflecting on the “theatrical” nature of his character – a word he embraces in its multifaceted meaning – he shares a profound insight. “I learned that whatever pain I’ve experienced in my 26 years of life, was all meant to bring me to who I am now,” he reveals. He sees a parallel in Evan’s narrative, describing it as a “beautiful but pained journey” of an “underdog making his way.” This suggests a deep empathy for the character and a willingness to draw upon his own experiences to inform his performance.

Konsevitch’s artistic inspirations extend beyond the realm of theatre. He cites Jim Morrison, the iconic frontman of The Doors, as his primary influence. “Greatest poet in music,” he declares, explaining how Morrison’s way with words ignited his own desire to craft stories and provided a “blueprint of philosophy.” He also gives an honorable mention to Elliot Smith, further highlighting his appreciation for emotionally resonant artistry.

As a performer, Konsevitch’s mission is clear and heartfelt: “Resonate with the audience. To connect with other people so we all don’t feel so profoundly alone.” This desire for genuine connection underscores his commitment to creating a meaningful experience for those watching.

Looking beyond the stage, Konsevitch harbors film aspirations and collaborates with his brother Sid on cinematic projects. “Absolutely I make films with my brother Sid. We rule. Go watch EdgeX and stay tuned for our future endeavor(s)!” he enthusiastically shares. This creative partnership suggests a multi-faceted artistic drive.

When asked about his “audience,” Konsevitch offers a simple yet profound answer: “People who feel.” This inclusive definition speaks to the universal themes of “As Bees in Honey Drown” and his desire to connect with viewers on an emotional level. He believes the play is for everyone, but particularly for those who appreciate a thought-provoking narrative. “Everyone should see this but who NEEDS to see it? Everyone,” he asserts.

Interestingly, Konsevitch reports encountering no significant obstacles in embodying Evan Wyler. “No, I feel like I’m someone who’s comfortable with themselves so being Wyler doesn’t feel foreign to me,” he states. This comfort suggests a natural affinity for the character and a smooth integration into the role.

While his immediate focus is on “As Bees in Honey Drown,” Konsevitch hints at future projects, though bound by an NDA. He playfully directs interested audiences to his Instagram account (@peter_konsevitch) for updates, adding with a touch of humor, “because you love me.”

Peter Konsevitch’s dedication, his connection with the director and the story, and his desire to resonate with the audience all point towards a compelling portrayal of Evan Wyler in Modern Classics Theatre of Long Island’s “As Bees in Honey Drown.” As Evan navigates the intoxicating and treacherous waters of fame, Konsevitch’s performance promises to offer a relatable and nuanced perspective on the price of desire and the search for authenticity in a world of illusion.