Dakota Martin reviews Modern Classics production of CLUE

Modern Classics Theatre Company brought the classic whodunit comedy Clue to life at BACCA Arts Center, offering audiences a lively and entertaining adaptation of the cult-favorite film and board game. Directed by Matt Stashin, this production, running March 1-16, 2025, delivered a fast-paced, laughter-filled experience that kept the packed venue engaged from start to finish.

The story of Clue has captivated audiences for decades, beginning with its origins as a board game. It was originally created in England during World War II as a means of indoor entertainment during air raids. Later published by Waddingtons in the UK and Parker Brothers in the US, Clue became a household name, offering players the challenge of deducing a murderer, weapon, and location within a mysterious mansion. The game’s popularity eventually led to a film adaptation in 1985, directed by Jonathan Lynn and featuring an ensemble cast including Tim Curry, Madeline Kahn, and Christopher Lloyd. The movie, known for its quick-witted humor, slapstick comedy, and multiple endings, gained a cult following, which in turn inspired Sandy Rustin’s stage adaptation. The play cleverly integrates elements from both the film and the game, striking a balance between mystery and farcical comedy.

Modern Classics Theatre Company brought this beloved property to life with a well-executed production that highlighted both the physical comedy and intricate timing necessary to keep the play engaging. The set, constructed by John Emro and Rian Romeo, was a particularly impressive component, featuring six distinct doors—some stationary, others on castors—allowing for quick transformations of Boddy Manor’s many rooms. The swinging kitchen door, complete with a metal panel, and the walk-in freezer door with a chrome latch were visually striking and immediately recognizable, helping to establish a strong sense of place. One of the most delightful elements was the functional hanging chandelier, which added an extra layer of humor and theatricality.

Dan Bellusci delivered a strong performance as Wadsworth, the butler and de facto narrator, with a sharp British accent, crisp pacing, and an amusing twitching that was consistently executed. His presence anchored the show, keeping the momentum flowing and drawing the audience into the unfolding mystery. His command of the role ensured that the intricate plot remained easy to follow while still allowing room for the rapid-fire comedy to shine.

The ensemble cast embraced their roles with enthusiasm, bringing their own unique quirks to the iconic characters. Karen Santaromita in her dual roles as the Cook and Singing Telegram Girl was particularly memorable, with Santaromita’s deadpan delivery as the Cook providing some of the show’s best comedic moments. Joe Hoffman as Colonel Mustard portrayed his character’s literal and oblivious nature with delightful commitment, often becoming the butt of jokes without realizing it. His dedication to the role made every misstep and misunderstanding even funnier. The entire cast worked seamlessly together, especially in the chaotic scenes where they attempted to hide and party with the dead bodies to convince the arriving police that nothing was amiss. Their energy, comedic timing, and willingness to lean into the absurdity had the audience laughing throughout.

The costumes were also a delightful nod to the game’s origins, with most characters donning outfits that were color-matched or accented to reflect their character’s signature hue. Colonel Mustard sported golden tones, Miss Scarlet dazzled in vibrant red, and Professor Plum wore a distinguished purple ensemble. Accessories further enhanced the playful aesthetic. However, Mrs. White deviated from this theme, probably because of lighting challenges, appearing predominantly in black rather than white, which felt like a missed opportunity to add a visual contrast and further embrace the iconic look.

While Meredith Lynn Spencer brought a sultry edge to Miss Scarlet, the choice of glasses undermined the intended femme fatale image, making her appear more studious than mysterious. A more confident, commanding presence could have further elevated the character’s quiet sex appeal and seductive charm. Similarly, Elizabeth DeGennaro as Mrs. Peacock delivered a solid performance but missed opportunities to lean into the character’s hypocrisy — a devout woman of God who secretly indulges in drinks and becomes embroiled in a blackmail scandal. Greater emphasis on these complexities could have added another layer of humor and intrigue. In general, the production didn’t always fully explore the backstories and moral contradictions that led these characters to crime or blackmail, which could have provided a richer comedic contrast.

One of the biggest challenges in any production of Clue is maintaining the pacing necessary to balance the humor with the mystery, particularly in the climactic sequence where the murder’s solution is revealed. Ed Cress as Mr. Green had a particularly complex task in this moment, requiring sharp comedic timing and dexterity in handling multiple props hidden within his costume. While he carried the scene with enthusiasm, some fumbling with the mechanics of the reveal momentarily interrupted the rhythm of the finale. The rapid-fire delivery of dialogue combined with the physical demands of the scene required absolute precision, and though there was a brief lapse in execution, the cast’s overall energy helped carry the moment through. 

Modern Classics Theatre Company prides itself on bringing innovative and seldom-seen works to Long Island, and while Clue is a recognizable title, it is not as frequently performed in the region as other comedic or mystery-driven plays. Its blend of farce and mystery makes it a refreshing choice for local theater, aligning with the company’s mission to present works that strike a balance between classic and contemporary. Expanding their recruitment efforts to further diversify the ensemble could serve as an area of growth for Modern Classics. Greater representation would enhance their mission of inclusive storytelling and provide opportunities for a wider range of talent to shine on stage.

This production of Clue successfully combined humor, mystery, and clever staging to create an entertaining and immersive experience. With strong comedic performances, engaging set design, and a well-paced presentation, it was a delightful afternoon of theater. The cast’s energy and the creative staging ensured that audiences left the theater smiling, having enjoyed an amusing and interactive take on this beloved whodunit. The production was truly enjoyable and reinforced Modern Classics Theatre Company’s growing reputation in the local arts scene.