review by Liann Herder

Julius Caesar’s political machinations and backstabbing (literally) take their moment to shine in American Theater of the Actor’s production running through July 2. Despite being uncut, the show runs a tight two hours and 30 minutes—no small feat for one of Shakespeare’s heftiest histories. The actors are deft with the language, taking the audience by the hand and navigating some of Shakespeare’s most iconic and memorable poetry.

Director James Jennings’ staging is simple—hardly any set pieces or props are used. Military regalia and berets hint at the dangers of both fascism and communism. The cast is majority male, and there is a lot to be said for watching a slew of men try and fail to lead their country into peace and democracy.

The story examines honor and morality—the characters aren’t simple in their motives like Iago in Othello, whose cruel bent against the eponymous lead makes him undoubtedly evil. Julius Caesar has no villains or even heroes—instead, it’s a complex examination of leadership, ambition, greed, and mortality, which still has resonance today.